You edit these by clicking and dragging, by typing in new values, by clicking through a range of settings, or by selecting from drop-down menus, as appropriate for each parameter. This is why I was so surprised to find that there appeared to be no single philosophy underlying the product. More seriously, the Legacy Wavestation has lost SysEx. Please do the right thing; the cost is only a few beers to help me out. In Prog mode, you can access six of the row of nine 'Page Select' tabs that appear across the top of the main interface. This was a sadly under-used feature on the original, and no doubt will remain so within the Legacy Collection! If you choose not to register right away, you'll be able to use the software for 10 days, but after that time the plug-ins will fail to load.
The whole hardware family was discontinued in the mid-1990s. I accept that this will become less of a concern as computer power follows its inexorable upward curve, but I'm a little concerned that one third of a software package consumes half the power of a reasonably specified, one-year-old Mac. Because of these famous stock sounds and many more, it becomes easy to understand why the software version of the now-discontinued Korg M1 keyboard is so popular! There were 16-bit samples from a variety of acoustic instruments, a set of short sampled attack portions, digital waveforms, and of course that famous hard acoustic piano, which proved ideal for cutting through dense rock and dance mixes. With a wave sequence, a pad, and a couple of lead sounds playing simultaneously, the Wavestation was capable of producing what sounded like complete tracks, even without a sequencer. M1 Programs patches feature either one oscillator, filter, and an amplifier chain in Single mode , two in parallel Double Mode , or a drum map, filter, and amplifier chain. Despite numerous calls to produce a 76-note version, Korg never did so.
On the original, only two effects at a time were possible. The only difference, as mentioned by Paul White last month, is that the original synths had a sample rate of 32kHz, whereas the Legacy Collection runs on my Mac at a minimum of 44. While the original M1 had two effect processors, this new software incarnation boasts two insert effects for each of the eight multi-timbral parts, as well as two master effects, for even greater sound processing capabilities. I have also set a Loop, so that — if I hold the key indefinitely — the sound loops repeatedly from Point 2 to Point 3. It is full offline installer standalone setup of Korg Legacy Collection M1 v1. For further sound customizability, two individual effects processors were added to each of the eight multi-timbral parts, as well as two possible master effects! Artwork is also provided to make your user library look pretty.
To be honest, this seems wholly unnecessary. I had no problems importing any of the M1 SysEx dumps I've collected and programmed over the years, and I was pleased to find that everything sounded almost identical to before. With two Wavestations hooked together, you could adjust both at the same time from one of the machines. Like other classic synths, the Wavestation still does what it does better than anything else. As the original manufacturer, Korg is uniquely qualified to recreate our vintage digital synthesizers as software instruments.
There's also a handy Preview button that helps when browsing by continuously playing one of six preset phrases. You can browse by the contents of each Card handy if you're familiar with their contents , or use the Search button to look directly across all cards for instruments of 16 different categories, including piano, organ, strings, woodwind, brass, vocal, guitar, bass, synth lead, synth pad, and drums. The most recent installer that can be downloaded is 37. This is only one of the massively popular presets from the original M1 that found its way into a wealth of top radio tracks. You can configure these in two ways, in parallel and series helpfully, the routings are displayed graphically, as you can see from the screenshots on the next page. However, despite our love for these beasties, there is one thing that nobody cherishes about them.
The browser can also be used to choose the basic Multisounds used in each Single and Double Program, and even the kit used in a Drum program. So we'll say no more about it until next month. It is a synthesizer collection which has been completely reconstructed in a software application. The Legacy Wavestation's Performance Select page. In fact, as far as I could tell, it sounds identical. While this appeared to be a conventional 24dB-per-octave digital low-pass filter, it was not, because it lacked resonance and substituted instead an 'exciter' that Korg claimed gave the sound greater clarity and definition.
I normally qualify my recommendations in various ways, but at this price, there's nothing further to say. But you may never need to get into editing your own as it ships with 550 presets covering a whole range of inconceivable sounds! This would be compatible with both 32 bit and 64 bit windows. Double-clicking on a Performance name in the lower window has the same effect as clicking on the Edit button in the upper window, and takes you to the Performance Edit page shown above. To illustrate this, I have created a four-oscillator patch and fashioned the simple Mix Envelope. The M1 software synthesizer reconstructs the M1 into an eight-part multi-timbral tone generator featuring up to 256 notes of polyphony. These are predetermined sets of pitch, filter, amplifier and panning parameters that apply specific, appropriate characteristics to your sounds such as piano, organ, brass, strings, and so on without you having to program numerous values. Clicking on a Part brings up the relevant values for each of the parameters in the Details and Zones sections of the window, such as the Part level, its transposition and fine-tuning, its response to Note On messages, its temperament, and how it's routed to the effects busses.
Once again, multiple choices are possible. This would be compatible with both 32 bit and 64 bit windows. Nevertheless, in a clouds and linings sort of way, this has a benefit for me — I can treat the American and Japanese components as independent products. Occasionally, an expensive and unattainable technology will mature to the point that something previously esoteric, distant and impenetrable becomes warm, cuddly, and practical. The final element in the Wavestation 'engine' is its effects system.